November 2020
Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »December 2020
Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
Find out more »Thomas D. Mangelsen – A Life in the Wild
A LIFE IN THE WILD is an exhibition containing 40 of Mangelsen’s most resonant images—images that take viewers on a journey into the haunts of iconic species whose struggles for survival are metaphorical fulcrums for reflection in the 21st century. "In an age of rampant digital manipulation of imagery and an era in which many nature photographers take shortcuts to amass portfolios by frequenting “game farms” - facilities that rent out wildlife “models” by the hour - Mangelsen’s work stands…
Find out more »Seven Masters: 20th-Century Japanese Woodblock Prints
As the once-isolated nation of Japan entered the 20th century and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly - among them, the iconic woodblock prints known in the West as ukiyo-e. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared…
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